notesong

                     Kathleen Denny Writer/Performance Artist San Diego 2017 San Diego International Fringe Festival is in its 5th year. It's Kathleen Denny's 1st San Diego Fringe. I hope she comes back. Her show, "Nice Is Not What We Do" directed by Mark Kenward is fascinating. Kevin Patterson has another hit series this year from local  producer directors like K.L. Brisby and Gingerlily Lowe-(The Yellow Hell"), national performers: Kathleen Denny-"Nice Is Not What We Do", and international writers, performers, producers, directors like bi-national artist Melissa Cisneros-Mexico ("Juego De Las Microacciones") to Giorgia Mazzucato-Italy "(Lifegate"). Kathleen Denny knows how to plug a show. She is a gracious and engaging conversationalist. I was so excited about seeing the "Big Kitchen-A Counter Cultural Cabaret Take 2" that I had arrived a half hour early. Ms Denny and I started talking about theater, performances

                                                           Poet Olga Gutierrez-Garcia Hello this June to new readers in Australia, Portugal, Ukraine, and Indonesia. San Diego has had a burst of sunshine. For those of you planning to visit, we still have evening fog rolling in and temperature drops; compared to hot days, a few degrees colder is most appreciated. The changing temperature from May/grey, June/Gloom to sunny definitely was a plus for Olga Garcia's reading at San Diego's Cafe Cabaret. I see a flier in my email a few days earlier and consider going to the reading. Olga's new works are full of flavorful and sometimes abrasively juxtaposed images and metaphors. Host Jim Moreno is making sure that people get the word out. Host Jim Moreno, author of Dancing in Dissent and A Question From Love   is poet, educator, and multimedia experimental performer who encourages artists to explore poetry as a solo and collaborative expressive form. So artists feel saf

                                                       Delores Fisher  June reminiscing The flier stated: GZA would lecture at San Diego State on April 11, 2017. I blinked my eyes in disbelief. GZA? Wu-Tang Clan's GZA? Wha-a-a-at? I kept the flier in my briefcase, took it out several times for those two weeks before the event. It was going take careful scheduling. On April 11th, I would be teaching the Tuesday/Thursday Afras 140 Oral Communication class that spanned early morning into early noon on the other side of campus. It was a sure bet that a GZA speaking event event would have standing room only. (It did--someone kindly gave me their seat.) I excitedly decided to hear him in person. I  stayed after class about 3 minutes talking with students.  I walked out the classroom door still talking to students  as we approached the elevator. They said "See you later."  and took the stairs down to their next class. With a lot of semi-fast walking, I calculated  w