Friday, September 28, 2018

September Pre-holiday Season 2018: A Few Thoughts

                                             Delores Fisher Blogger 2018

Hello to all, especially my longtime readers/followers in Canada, Russia, Brazil, the Seychelles, UK, China, and of course France.

As each new year approaches and each year end fades, we as a global people often consider watershed pop culture events that have changed our perceptions. Musician scholar and pop culture critic William Banefield states, "Popular culture allows us to see so many meaningful elements, fixtures, and symbols of our culture. This is the means by which our identities are concretized in many ways."1 

Through the lens of this quote, I must say: 2018 has been a very disturbingly interesting year.



We now have weather called a "medicane" in Greece: 
   
Our planet, Earth, a symbol of our identity as humans is shifting and shaking us to our core, causing us to re-evaluate much of our central traditions and values.  Our home, Earth, is not necessarily cooperating with those who would try to harness her for selfish gain. She now seemingly more than ever before is making us pause to reflect on our role as her steward.

It is still September. We take from the Earth to produce what we need and admittedly in the 21st century, increasingly only want.

 Holiday themed programming has began to shimmer its media designed warm, fuzzy, cheerful glow into our global public eye. 

Although increasing buying frenzy propels a consumer driven attitude towards the approaching holiday season after September is beginning to push an ever growing mountain of Halloween, Thanksgiving, and Christmas commercials overflowing with merchandise, it is important to consider the "groanings" of our Earth, to stop consumer frenzy purchases before the madness enchants us, to appreciate family and friends.

This pre-season time is also traditionally one in which to consider those who are grieving, starving, lonely, bullied, poor, working poor, and homeless. It is also a time to reflect on the filthy rich who lead vacuous lives of episodic high adventures that bury an abyss of pain and regret. to alter a phrase by a previous mentor, Bruce Keitel, "That which seems, is often hidden by the seams, of the symbolic meaningless seme wealth."2

As a young man yelled out on a chilly evening a few years ago while being arrested by San Diego Trolley Transit police officers, "Why am I being handcuffed and treated this way? Am I not also   a child of God?  I am also a child of God! Both officers of the law and perpetrators seem locked in a deadly uptempo Topsy-Turvy dance.

I wasn't sure what the young man had done to provoke the overly-aggressive response. But, it made me pause and think. Experiencing someone taken down so physically is different than late evening channel surfing. 

Talking and interacting with refugees from war whose artistry provides comfort against tragic memories is different than reading about them online.I experienced this during a lengthy interview with the refugee rapper Hot Dog several years ago.

This was reinforced for me during my brief interaction through a translator and during  my interview with the Matrida Umoja band: https://matridaumoja.com/

Life experiences of new friends who just want to talk are illuminating as we share our transitions and crises.



This is the time to reflect, before seasonal pop culture materialism grabs our attention. 

Who are we as a global people? Will we embrace these next few months with meaningful "goodwill towards all?"


The "traditional" season is almost here,
Delores Fisher















END NOTES
          1.William C. Banefield,  "Popular Culture in Non-Theory: Seeing Ourselves, Revealing Ourselves, Knowing Ourselves," Black Notes: Essays of a Musician Writing in a Post- Album Age      (Lanham, MD: The Scarecrow Press, Inc.2004), 62.
          2. Bruce Keitel was a mentor professor. He trained several Summer Bridge student instructors at San Diego State University in the 1990s and early 2000s in ways to engage critical thinking pedagogy active teaching praxis.

Tuesday, August 14, 2018

Aretha Franklin The Voice, The Song, The Life:A Brief Reflection

Notesong readers:
On Thursday, August 16th, Aretha Franklin, Queen of Soul died at the age of 76. We have lost so many from her generation on a global scale in the last few years, in politics, theater, music, medicine, literature, engineering and many other fields. Can you sense it, my global readers? An age, an era is coming to its close.

I may not pay tribute to all of the people who have impacted my life here in this, our Notesong blog space. Perhaps I will include several chapters in my new book. The following post is a short tribute to Aretha Franklin's life, her talent, and her inspiration to performers who copied a few of her soul stirring vocal and piano licks and carried on her sound to secular and religious audiences. Aretha Franklin's official website has a  treasure chest of additional memories http://www.arethafranklin.net/

 I am still quietly grieving . . .

THE ANNOUNCEMENT
A Twitter (USA) announcement on Monday August 13th informed the world that Gospel and Soul singer Aretha Franklin is very ill. Many are in prayer for her, the woman and performer who dedicated her life to sing music that inspired millions during her global ministry of love, hope, uplift, and renewal.


During my teen years, Aretha Franklin was a mesmerizing role model, not only because of her singing, but because she was also an excellent gospel pianist whose style deeply influenced me and so many other aspiring young church musicians.

                                                    Delores Fisher

She toured the world several times over and according to Biography.com https://www.biography.com/people/aretha-franklin-9301157
( .. . . Scroll down the link page)
Franklin went on to release several popular singles, many of which are now considered classics. In 1987 she became the first female artist to be inducted into the Rock and Roll Hall of Fame, and in 2008 she won her 18th Grammy Award, making her one of the most honored artists in Grammy history
From France yesterday, news of her illness was in print https://www.francetvinfo.fr/monde/usa/la-chanteuse-aretha-franklin-est-gravement-malade-selon-un-de-ses-proches_2894557.html
and on the airwaves (France 24)

On Euro news:

 In America, Beyonce and Jay Z dedicated their concert to her. https://people.com/music/beyonce-jay-z-dedicate-concert-aretha-franklin/

Aretha Franklin became a cross-over artist, switching her focus from sacred to secular music.  Like so many who started in the Black Baptist church during the 1950s -1970s, she played major US venues,  including Madison Square Garden, and  the Apollo in Harlem.

She sang on television variety shows, and had a guest appearance in The Blues Brothers movie; She persevered through career highs, lows, "rebrandings", and revivals. Music lovers post her songs on YOUTUBE and provide us with audio/visual remnants of her legacy.

 
She is well loved.

Scholars have written about Aretha Franklin for years. Eileen Southern in The Music of Black Americans:A History1, Earl L. Stewart in African American Music: An Introduction 2Portia K. Maultsby has written essays about Aretha Franklin included in Kip Lornell's From Jubilee to Hip Hop: Readings in African American Music 3,  and also in Maultsby's and Mellonee V. Burnim's text African American Music: An Introduction 4.

As a child, I only knew that her voice made the hairs on my arm tingle when she sang. That difficult to imitate moan, born in the cradle of the African American baptist church, starting from pulpit to moarner's bench, to usher board and to the choir long before 1960s freedom riders contested Jim Crow laws and defacto segregation. The moan called audiences to share in a deep cultural angst too thick for words.

Aretha Franklin was a PK(preacher's kid). She was Rev. C. L Franklin's daughter. He was well known in the African American sacred community before he joined in Civil Rights activism. https://www.nytimes.com/1984/07/28/obituaries/cl-franklin-69-activist-and-father-of-aretha-franklin.html

My daddy played Rev. C. L. Franklin's soul captivating sermon's on our RCA record player. Rev. Franklin's homiletic delivery style was electrifying. His voice could groan, moan, and soar as he sang and as he preached the gospel.





She didn't preach, but she could sing. When she was 14, her recording of Thomas A. Dorsey's Precious Lord became a benchmark staple for Baptist church female and male young and seasoned Gospel Music soloists.



It was tradition. One could sit in many Black church pews of that era, and the sister or brother beside, behind, or in front would break out into a moan like that. Aretha sang from a place most of us knew. No need for translation. It was a different time in America . . . . .

Many forget her activism during America's VERY troubled times. Those times make today's issues look like shadow puppets on a wall. Yet, she raised her voice in protest AND support. Her activism for women and singing songs of inspiration went beyond race. 

As a young scholar, I presented and lectured on Aretha Franklin at a conference a few decades ago. She had been ill even then, and it seemed to be due to her love of performing on stage and of interacting with live audiences. She recovered from her collapse. Many of her stage moments since then have been legendary.

One of my favorites: she sings live on stage during the 2015 Kennedy Center Awards segment celebrating Carole King's musical accomplishments. Carole King's "Natural Woman" became one of Aretha Franklin's biggest hit songs.


So much to say.  Only a brief reflection: Aretha Franklin, an artistic gift from God to the world.

Bless you and thank you Ms. Franklin,
Delores Fisher

Endnotes

1. Eileen Southern, "Soul Music" The Music of Black Americans: A History 3rd ed. (W. W. Norton   & Company Inc., 1997), 517-518.

2. Earl L. Stewart, "Soul Music:1960 To 1980" African American Music:An Introduction (New York Schirmer Books, 1998), 230-231.

3. Portia Maultsby, "The Impact of Gospel Music on the Secular Music Industry" in From Jubilee to Hip Hop:Readings in African American Music Kip Lornell, ed. (New Jersey: Prentice Hall, 2010), 182-183.

4. Portia K. Maultsby, "Soul" in African American Music: An Introduction. Mellonee V. Burnim and Portia K. Maultsb, eds.,(New York: Taylor & Francis Group, 2006), 280-283.




Tuesday, July 31, 2018

Delores Fisher Strolling at San Diego Comic Con International 2018


                      Delores Fisher pre Comic Con San Diego at the pier

Hello to new readers in the Seychelles!
It's hotter when it's supposed to be cooling down and cooler when it's supposed to be heating up! San Diego's weather is Really interesting this summer. However, to  visitors here for Comic Con International at San Diego https://www.comic-con.org/cci  , this weather is usually considered gorgeous when compared to back home.

Before I start . . . . a shout out to new readers in India. I spent some Comic Con time just hanging out with and talking to India's Rabindra Sarkar. He's back in America for a few months after traveling to South East Asia and Europe  for interviews and appearances.
          Rabindra Sarkar July 2018 at Seaport Village, San Diego

We've known each other for several years. Rabindra was one of the first people I recorded when I started video interviews of  people of interest to me.

                                                               Rabindra and me July 2018

 It is a real joy to talk with such a positive person.

https://youtu.be/6RX3ip9eTNE


Comic Con offers such interesting opportunities to enjoy interactions with writers, performers, directors, producers, story boarders, and cosplayers. As usual I did outside exhibit strolling. I did attend an "insider event"---the Afrofuturism Lounge.  (More next post with photos, mini-interviews,    close and personal with writers, graphic artists.)


I took several San Diego Comic Con outdoor site photos this year. Here are a few of my favorites:


  Conan O'brien's talk show is such a hit here. We love the guy!



 Hotel massive displays were really fun!




                                        
     Mobile displays drove all over downtown San Diego
                               

 A fountain display had me guessing if it was real.


 I got an inside scoop on the Jack Ryan interactive 3D installation and posted it on twitter!


 Dominos Pizza on Sixth Avenue downtown San Diego has a fantastic mural
                                         Delores Fisher at Domino's Pizza 

A few free outdoor events



The free Interactive Zone had food trucks, a huge screen with films, and live celebrity Interviews.
                                      Jurassic Park was a hit!

                                            Live music/interviews--pre concert

And of course I had  fun with cosplayers. See if you can guess:






 A professional photo shoot near Broadway and sixth Avenue



 Ah... Princess Leia in triplet . . .wait . . . .

 Wait, are these sexy Mario characters the same three guys above as princess Leia?








 







And at the Afrofuturism Lounge (more next post):

                                                         Hans who?????



                                                   Delores Fisher and???????

I recorded a few interviews. Eric M. Cooper creator to Star Enforcer and Knight Seeker gave me an exclusive on Saturday evening about one of his upcoming projects.



                                                  
Well, I'm having too much fun. Will simply say, thank you Comic Con International at San Diego!


Delores Fisher,
Missing you already, San Diego Comic Con 2018